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Hiwote Getaneh, Podcast Producer and Host, Depth & Candor Podcast

July 02, 2020 by Pier Duncan in Podcasting, Entrepreneurship, Creative, Social Media

Hi, Hiwote! Let’s start with the basics. Can you share what you’re currently doing?

Sure! I’m a contracted podcast producer at Magnificent Noise, a podcasting production and creative agency. Have you heard of Esther Perel’s podcast, Where Should We Begin? I work for that podcast! I am also working for an upcoming TED podcast. The rest of my time, I’m working to build my podcast Depth & Candor into a business. 

I’ve been working on turning it from a side hustle into a business since October 2019, and it’s been quite a transition because I’ve always been a good worker and a good student, but being a good entrepreneur requires a whole other set of skills. I’ve been unlearning my old ways, and embracing testing my ideas without a roadmap. I’m also learning to have enough discipline to not be distracted or sidetracked by the small things that look like extensions of the business, but aren’t actually part of my vision. 

Can you share more on building Depth & Candor? 

Depth & Candor is a podcast and newsletter for the young Black woman who wants to live a very fun and meaningful life.  I interview women who fit that mold — women like Myleik Teele, Jovian Zayne, and Nicaila Matthews Okome who are living full lives. These three women are all great examples of people who have created the space to define and pursue their own definitions of a vibrant life. I also like that they’ve created businesses rooted in supporting other Black women to be their best.

The podcast has been running since January of 2017, and it originally started as just me showcasing the stories of each guest. Now, I’m at the point where I can dedicate time to making every episode actionable in addition to being entertaining. I want the audience to walk away from each episode motivated to define and pursue their own version of a vibrant life.   

That’s such an amazing intention. How do you see Depth & Candor evolving from where it’s at now?

For the next few months, I want to be in the phase of monetizing by pitching sponsors/brands. My dream in the long run is to create a space with resources for young Black people to get their voice out in the world. There’s a small barrier to entry for podcasts — it’s low but it’s not free. So if someone wants a great mic or wants to take a class to learn to be a great storyteller, or to build the skills to make their interest into a fruitful venture, I want to have a space where young people can get those resources. I would want it to be free for the people who need the resources, and so I need to figure out how that could be monetized through sponsors or brand partnerships. Another potential model is to have a production company where I would create podcasts for clients, and part of the revenue could pay for a space for others to create their own media. 

That’s so interesting. You mentioned something that really stuck with me in an episode of Depth & Candor — one in which you shared your own story. You spoke about how you’ve learned to appreciate failing as part of finding your purpose. Can you share more on that?

I was a super achiever as a student so failing was the one thing I didn’t want to ever do. As I look back at my early twenties now, most of my “safe” decisions were actually failures because they just extended my time away from what I was actually interested in doing. On the other hand, had I not done all of the things that I have, I wouldn’t have the knowledge or skill set to do what I do now, or to do it with the same level of quality. 

I should back up a bit for context. When I went to grad school for public policy, on day one, I knew I wasn’t inspired or happy. But I’d gotten into Johns Hopkins which is this great school, and I felt like I just couldn’t squander this opportunity. So I fought for the next two years for something I didn’t even really want, but I didn’t have the language to express why I didn’t want it. When I graduated, I took a policy research job. I learned a ton, but I only stayed for three years because I didn’t know how to find a career I actually enjoyed. And so while it could be considered a failure that I spent too long there, I try to think of it as “failing forward” because I try to use what I learned in each experience, and apply it to whatever new situation I land in. 

And so how did you get from there to producing podcasts?

In January of 2018, I vowed to get a job producing podcasts and I applied to a lot of open roles, but I didn’t hear back from anyone. I eventually left my policy research role in August of 2018 to work at Mic as an account manager. I wasn’t producing a podcast, but I was grateful to have found a role that was at least in the same industry as the one I wanted to be in. When Mic got acquired by a bigger media company, I worked as a marketing manager at AfroPunk, until I met a podcast producer on the train who would eventually help me change my career trajectory. 

A friend of mine and I were leaving Elaine Welteroth’s book launch in June of 2019, and we were sharing what we thought about the event when a woman behind us said “I’m so sorry to eavesdrop. I’m here capturing audio, and I feel like you’re part of the audience we want to capture.” She asked us what we had thought of the event, so we spoke with her and shared some of our thoughts. When I asked what audio was for, she told me that she was a podcast producer. I was thinking, Cool... aren’t we all? (laughs) Then she tells me that she produces the Where Should We Begin? podcast — one of my favorite podcasts. I couldn’t believe it. When the train came, we got on and sat separately, and I kept thinking, I have to say something. There’s a big part of me that is socialized to figure things out on my own, so asking this stranger out to coffee to see if she’d be willing to speak to me about her podcast felt like a big move for me. 

Ultimately, I approached her and asked her to coffee, and she was so nice about it. Coincidentally,  we met for coffee the day before my birthday and I told her how much fun I had been having celebrating, and she said, “No way! I have the same birthday!” So a thirty-minute coffee date turned into a two hour conversation. We talked about all the things we wanted for our careers. She’d worked at NPR for several years and had launched and ran another major podcast. When I asked what she was currently doing, she said that she had started a podcast production company, and that there might be some things she could pull me into.  At the time, I was just starting to get the lay of the podcasting landscape, so that was an incredible offer. Eventually she asked if I’d like to work with her production company part-time while continuing to work on Depth & Candor. I accepted her offer and quit the marketing job I had at the time. I still think about how it was a split-second decision to speak with this woman on the train that changed everything. It’s essentially a professional meet-cute. (laughs)

It is a professional meet-cute! I love that. So much of what you’ve shared reminds me of something I’ve realized about my own tendencies throughout my life. I’ve heard it called “box-checking.” Essentially it’s this idea that you can get so caught up in doing all of the things you’re told to do — go to college, get your degrees, go into specific, acceptable careers. It sounds like you went through a similar journey of realizing how box-checking can really distract you from seeking truly fulfilling work. Can you share more about that journey, and what you have learned? 

I was definitely a workaholic. I think it’s worth saying that a lot of what I learned in changing my behavior came from going to therapy. And understanding that my value and my worth exist simply because I’m here. My value isn’t tied to anything I’ve done or any of my accomplishments. Learning that lesson is a continuous practice for me because I tend to go back to that place of fixating on what I have and have not accomplished as a measure of my value. The truth is that that fixation drives so many of our decisions as a society. I don’t think you would necessarily be worse off if you kept checking boxes and doing what felt safe, but it’s not an emotionally sustainable mindset for me, and rooting myself in corporate stability is an illusion. Abandoning that mindset has left so much room for joy and a real sense of community. I don’t have to spend every second of my life perfecting my work. 

You mentioned earlier that you like to do things on your own. Did you have to learn to ask for help? 

I’ve actually always felt pretty good asking my friends for help. Or even with listeners who tell me how much they love my podcast, I will say “That’s awesome, but what would you change if you could?” Or, “What else could I do to make it better?” And so in that way, asking for help isn’t hard. But for me to ask for help from someone I don’t know — that was really difficult to learn. 

I’m taking an entrepreneurship class at the Google Learning Center. A couple of weeks ago, I pitched my podcast business idea in front of the group. When I finished, I knew I didn’t do well. I realized it was because I had never pitched to strangers — only people who knew me. So I’m learning to be open to hearing how others who I don’t know perceive my ideas, and getting their constructive feedback. Learning to take up that much of a stranger’s space is weird. I keep thinking, “Is this how white men feel?” (laughs) But it’s also energizing because I’ve realized in letting new people interact with my half-baked ideas, that there are so many opportunities I hadn’t previously thought of. You can’t do that sitting at home in front of your computer, or in talking to the same people who already know you or your business really really well. In March, I’m going to do a live show for Depth & Candor because I shared a half-baked idea with someone I don’t know very well. She was like, “Live shows are what I do — let’s make this happen!” 

What other things have you done to continue growing in your craft?

Hiwote.websize-27.jpg

So earlier I told you that I am a great student and need to learn to be a great entrepreneur. Like any good student, I would do my homework. I listened to all the podcasts and I read all the books on entrepreneurship, digital marketing, etc. But I wouldn’t give that advice to another person trying to learn. I think sharing your own ideas and testing your products is actually the better way to learn. I don’t know if that is going to be true for everyone, but as someone starting out, I’ve found that sharing ideas and testing products with people to be the most powerful. 

That being said, some podcasts have been helpful. I’m a student of Nicaila Matthews Okome’s “Podcast Moguls.” I’ve taken Amy Porterfield’s email marketing course and Seth Godin’s marketing seminar. All three of these people also have podcasts you can listen to and learn from. And even though this isn’t directly linked to learning about my craft, Oprah and Deepak Chopra’s free twenty-one day meditation course has really taught me how to calm my mind. If I don’t ground myself, I tend to start spinning and just doing things, which means I start leaning into my old habits as opposed to working with intention. And finally, I’ve taken a bunch of storytelling and copy writing classes on Skillshare, which is an affiliate of my podcast.

Coming full circle, what would a world look like for you to create that ideal space for Black people — for learning, growing successful businesses, and to finding joy and fulfillment? 

Our people carry a lot of trauma. We play nice with people who don’t look like us and often fail to treat ourselves and each other well.  In my dream world, all Black people would have access to a therapist they love, and that would help more of us to cultivate our liberation and joy. We live in a crazy time and we all need to be civically-engaged, but the first thing we have to do is truly love and empower ourselves.

POSTSCRIPT: Here’s what Hiwote has been up to since her original interview with Black Women Work some months ago.

Since we last spoke, so much of my world has changed! I'm now working full-time as a podcast producer at Magnificent Noise, which has been a huge blessing given the economic climate. 

Over the last few months, we launched and finished a season of the New York Times show, Together Apart, which is all about how people maintain connection during a pandemic. Our last two episodes were about centering Blackness and Juneteenth, and they are two of my favorite things that I've ever produced — probably because it was super gratifying to make something Blackity-Black with the New York Times. And now, I'm working on a podcast series for TED called Pindrop and the seventh season of Depth & Candor, which will be exploring the ins and outs of Black joy!


Subscribe to Hiwote's Depth & Candor podcast on iTunes, Spotify, or Stitcher.

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July 02, 2020 /Pier Duncan
Podcasting, Entrepreneurship, Creative, Social Media
Nakea Tyson.JPG

Nakea Tyson, Host of The FearlessKea Podcast & Brand Partnerships at Complex Media

May 21, 2020 by Pier Duncan in Branding, Media, Creative

Hi, Nakea! Can you share more on life prior to The FearlessKea podcast?

Yes, prior to The FearlessKea podcast, I was just navigating the streets of New York City and climbing the ladder of my professional career in broadcast media and publishing. So that was life before my podcast. I had always seen myself in the television industry, which is where I started — first at Discovery Channel, then Oxygen, and finally Turner. I’ve always wondered how networks created these compelling stories that drew you in as a viewer. My career took a shift when I went over to USA TODAY. That’s when I got into brand marketing within the publishing industry. Whether television or publishing, storytelling and narratives are what have kept my passion within my career trajectory.

To be honest, it’s kind of crazy how I fell upon podcasting. What prompted me to launch The FearlessKea podcast was a major surgery in 2017, which I talk about a lot on my podcast. I suffer from uterine fibroids, which is common in women of color. The fear of potentially not being able to have kids — the idea of not having that option — prompted me into doing the podcast and talking about one’s deepest fears. I had never thought about not having children, but due to my circumstances, I suddenly realized that had become one of my fears. So my podcast, while it’s not necessarily in video format like television, it still has that nature of storytelling and narrative that drew me to my career path in the first place. 

That segues well into my next question, which is who is FearlessKea and how did she evolve?

So, I called myself FearlessKea because I really wanted to embody that mindset. I don’t believe I was fearless when I transitioned into that becoming my brand. But I believe that there is power in language, and so there’s power in calling yourself something or saying things to yourself so that you can start to demonstrate that type of behavior or emulate that type of attitude. When I took on that persona and what that means, I saw it as being this bold, bright light -- not just in my own life but in others’ lives. I saw myself as using that influence to propel others toward their dreams and aspirations. And once I set that persona for myself, I started to see myself move in that direction, closer to my own dreams and aspirations. 

Prior to building my brand, I had started to feel a little stagnant and stifled. I just kind of felt…I don’t want to say “basic” or “ordinary,” but I just kind of felt like, what is my purpose? When I took on FearlessKea as my brand name, it was with the intention of wanting to approach everything without fear or anxiety that something could happen at any minute to derail me. It really pushed me to lean into trusting my gut and knowing myself; and knowing that whatever happens, I’ll get through it. And once you get through something, you’ll overcome it, and move beyond it. 

It’s interesting that you bring up purpose because that comes up quite a bit in these interviews. This is why I love black women, because so many of those I’ve spoken with reach a point in their careers where they’re like, “OK, this is cool, but what’s my purpose beyond myself?” Wanting to maximize their light, in your words. I was looking at your website, and you described your podcast as exploring “the complexities of fear and the pursuit of happiness.” So can you talk a little bit about what that means, and how might that connect with your purpose? 

The thing about fear is that it never goes away. You can be fearless and still have fear. But there are levels to it. For example, some fears stem from childhood trauma, emotional trauma, or other kinds of formative experiences. For me, I’ve found that exploring those fears is deeply connected to my ability to claim my happiness. I have to look at these things deep down inside to figure out what’s keeping me from getting to where I want to be. I do want to note that happiness is an emotion, which means it’s circumstantial. And so with that, I think that unpacking the layers of pursuing that emotion draws me closer to my purpose. I also believe your pursuit of happiness can and should change over time. We develop a sense of what we think will make us happy and then we get it, and then we’re like, “Nah, that’s not what I wanted.”

As I fine tune my own understandings, and do the work on myself, I’ve realized that exploration is less about the emotion of happiness itself and the specific circumstances that cause it, and more about figuring out what brings me joy? What’s feeding my soul? It’s having that quick emotion of happiness, and then saying, OK, what was it in that moment that made me happy? How can I make this a more consistent and lasting state of being fulfilled? That’s joy. And to get there, you have to unpack some shit introspectively. I think there are a lot of people with fake joy...they seem happy but like I said, it’s circumstantial. They’re not doing the inner work, and so it doesn’t last. It’s not joy. So, doing the real work on yourself is what I believe brings us closer to our purpose.

In terms of starting your podcast, how is that helping you move closer to that purpose? Can you share more about the podcast?

The FearlessKea podcast has pushed me closer to my purpose and what brings me joy because in talking to other people, it allows you to feel that you’re not alone. Everyone has a story. Everybody has their own fears they battle, no matter what kind of presence or claim to fame they have in this digital world, professional careers, or whatever we find to be the measures of success. To sit down with people and ask these hard questions that are not typically asked, it allows me and my audience to know that we’re all human, and we’re all we’re all trying to be better than we were yesterday. I think that’s driving me closer to my purpose because now I understand the impact the podcast has on not only myself, but my listeners. 

I also think the podcast has allowed people to feel that they are sharing their story in a safe space. I have gained each of my guests trust to share their narrative with integrity. It’s taught me that I can go deeper with people, and that’s a skillset I need to hone in on and appreciate because I’m creating an environment where people feel like I’m going to listen and help them get where they need to go in the conversation. And it’s interesting, because I’ve seen a lot of my guests actually do the things they said they were going to do. They’ve manifested the things we’ve talked about on my podcast. I’m not saying our conversation was the thing that made them do whatever we discussed, but like I said, there’s power in saying things out loud and releasing it to the universe.

Now, a year later, that person who said on my podcast that they wanted to be bicoastal has that living situation. That person who wanted a higher title, has that senior director role they mentioned on the podcast. Another guest is in a relationship when they thought they would never be in one. All of these beautiful things have been manifested. It’s the power of language. The more you share, you’re healing yourself, and allowing yourself to move forward and claim your joy. That is the impact that my podcast has shown me I can have in people’s lives. 

That’s beautiful, Nakea. So what is your “day job” and how do you balance that with this tremendous side hustle/passion project that seems to give you so much fulfillment? 

I live in Los Angeles now, but when I lived in New York, my schedule was like clock work. I knew what I needed to do each day in order to work on The FearlessKea podcast and brand. I would get home from work, and I knew — Wednesday nights, I have to edit. I would pre-record episodes so that I could edit them all on Wednesday nights, so that Thursday I could send out the copy to the guest, and let them know we are releasing the episode Friday. 

When I received my current offer in LA, working for Complex in brand partnerships, that move tremendously shifted my routine. I started seeing inconsistencies in releasing my work and it wasn’t because I didn’t have a passion for it. I had uprooted my life, left the East Coast where my family is, left my comfort zone, and started a new job at a new company. And because of those sacrifices, I felt like I had to do well. I had to make it. So in the beginning of my time in LA, there was a brief period where I could maintain my consistency with The FearlessKea podcast because it’s what I knew how to do.  Once I really started to know how my 9-to-5 job worked, and figured out how to excel, that’s when I started to see the inconsistencies in my podcast. I’m sharing this transparently because as you’re building a brand or anything, transitions happen. You have to find your rhythm again. There’s a new way to strike a balance now, because the workload at my job is greater, so it’s a matter of making the time for the podcast and that is going to look different. It’s OK. I just told myself, if this is something you care about, you have to make the time. 

So now I’m thinking about what I want this next phase to look like? Do I want to add video to my podcast platforms? Who do I want to interview? How do I want to take this up a notch from last season? So I’m taking more time upfront, instead of just pushing out content on top of content. I’m taking a step back to ensure I’m seeing elevation in the content. It’s been a hard shift, but I would say consistency, a rollout cadence, and discipline are what allow you to balance your hustle/passion project with your 9-to-5 job.  

So my last question: what is your dream? What do you want for yourself, for The FearlessKea and beyond? 

If I could have it my way, I don’t see myself leaving LA, so I would have my house in the hills, or out in the Valley. (laughs) I want to continue expanding the listenership and growth of my podcast. I see it being a launchpad for expanding my impact in the community. I really want to do more public speaking, maybe as a life coach, motivational speaker, or brand workshop facilitator. I want to be that person who encourages other people beside me and behind me, to help them chart their path forward. 

In my podcast, I feel like I’ve been a sponge, just learning and understanding different narratives and journeys. Now I want to figure out how to pour what I’ve learned into others. I think my platform — no matter what it is — will always be used to inspire others.  I know that I want to primarily work with black professionals, whether it’s a retreat or a conference, or one-on-one. I want people to know that I can be their go-to person, a connector that is to bring like-minded people together. I want people to know that I’m the person who can support them in having these hard conversations, and to be able to have an actionable or measurable result from it. 

The sky's the limit...or, not even, actually. There are no limits. I don’t want to put myself in a box. I want to be able to define my own space, something untapped that marries that connector role with storytelling — which is my day-to-day work, marketing content in a way that strikes an emotional chord. So if I can marry those two parts of my world and have a lucrative income and with an abundance of wealth, then so be it. (laughs) I also just want to fall in love, and start a family, and see that next cycle of my life grow in front of me. So that is also part of the dream, too. 


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May 21, 2020 /Pier Duncan
Branding, Media, Creative
NaaAmerley Badger

NaaAmerley Badger, Educator, & Fashion Stylist, Designer, and Photographer

January 23, 2020 by Pier Duncan in Fashion, Education, Creative

Hi, NaaAmerely! Starting from where I always do, can you share what you do?

I do a lot! (laughs) I’m an educator. I support teachers through coaching and development at a grade 6-12 school. That’s my day job. I’m trying to switch to the mindset of having two jobs. Lagniappe By Badge LLC has come out of things I’m excited about, particularly within fashion and style. It’s a way for me to be creative through styling, designing upcycled pieces and avocado dyed clothes, modeling when people ask me to. I love photography, and I’m getting more into video editing and multimedia. 

That is a lot! Let’s focus on education for a moment. What attracted you to that space? 

In college I did some internships in public policy & with an elected official. I wanted to gain clarity around how public policy could impact change in black & brown communities and then go back to DC to help make those policies. I applied to Teach for America and was placed in Philadelphia teaching second grade. During my first year teaching I realized how absent the impact of public policy was for the children and families I served. The need was where I was in the classroom and I chose to stay, going on to teach third grade then middle school English—my favorite—for three years. So I think ultimately what attracted me to remain in that space was being able to see the fruit of building relationships and working hard to ensure my students were learning in a safe environment. Five years ago, I transitioned to school leadership after, frankly, experiencing school leadership that was ineffective, personality-driven, and didn’t proactively influence adult culture or embrace change in ways that allowed students to thrive. I’ll never forget the time I created a system to address the problem of teachers sending students out of class frequently. I presented it to my school leader and they told me, “We’re not looking to make any changes.” That’s when I knew it was time for a change. 

I did a program called Philly PLUS through The New Teacher Project, earning my administrative certification and was placed as an assistant principal at Mastery Charter Pickett Campus in the Germantown section of Philadelphia. President Obama actually shouted it out in 2010. Serving as a school leader reinvigorated my focus because I saw and continue to see a lack of cultural competence among teachers and school staff, especially for Black children who are disproportionately impacted by trauma and poverty. The most soul-irking thing to me is a mindset of doubt or skepticism as it relates to what our children can achieve. Sometimes I think it’s because there’s a sense of not really having any skin in the game. When I walk down the hall, I’m thinking that kid could be my son -- he’s chocolate as hell! And so I’m in a position to lead these conversations, about mindset, about checking our implicit bias, about what is and is not okay in our school community. I’ve had some wild experiences, especially with white women. And their tears—so many tears—that shift the focus from our children and from feedback that can help move the needle. Despite that, I keep coming back for the children because the way they navigate this human experience called life is resilient and inspirational. 

And how did you begin to lean into your creative side?

I recall an Oprah Super Soul podcast episode with Elizabeth Gilbert called “The Curiosity-Driven Life.” She makes the case to follow your curiosity and remain open to various outcomes that come as a result. I’ve always leaned into my creative side, and, when I’m doing it consistently, is a major key to balance. But as of late I have been more curious which has spurred me to try my hand at a variety of things. In college, my side hustle was photography, I’ve always expressed myself through style, having done so for friends, and having done some interior design. During my time in the classroom, I remember the kids would see what I was wearing and say, “Did you make that? Why don’t you make clothes? Why don’t you model?” 

The “lean” toward my creative side became more of a push, or a calling, that I couldn’t ignore around May of 2019. Having set the intention to transition to work in a creative environment, I became more intentional about putting my work out there by building a portfolio. Then again came the recurring theme: the affirmation of young people, an unexpected outpouring of support and collaboration. 

Black kids are inspirational, and I do feel like they need to see an example of an adult who can follow more than one path at a time, be more than one type of person, if that’s what is needed to express the breadth of their humanity. So often in schools we don’t make space for childrens’ creative curiosities and I know so many students I have taught or been in community with who are now designers, models and amazing creatives. It’s funny because adults are confused, like how do you have the time to work full time and pursue this other thing, and on very little sleep? But the kids, they get it and they are so supportive. They’re like “I saw your IG, Ms. Badge! It’s poppin’, You different! You need to do that. Period, pooh. You cute!” They crack me up. 

I’ve been doing styling and photography, doing shoots. But I’m most excited about designing and to create in a way that aligns with my sense of beauty, to say something without saying it, to serve a needed function. I’m almost finished with a 30-piece upcycled collection called first born, which is the meaning of my name, that I plan to sell and loan pieces from and that’s been truly liberating. I was only able to make this collection because I followed my curiosity which led me from one opportunity to the next, so now I’m able to see the fruits of focusing on progress versus perfection. 

What are you ultimately seeking to do with your creative endeavors? 

Frida Khalo said, “I’m my own muse.” I used to think a lot about others perception of me but now if I make something and I like it, that’s what matters most. I’m getting to know myself better and really engaging in that process. I’m ultimately seeking to use my creative endeavors to be with myself and my family as much as possible through financial independence, to collaborate with other creatives, and to tell my own story. 

I’m also seeking to keep things close to the earth and focus on sustainability. That is important to me. I’m mostly plant based and the place I get organic avocado pits and peels from to dye clothes is one of my favorite restaurants. The people who run it are great humans. I use what I need to dye clothes and compost the rest. I also go to the farmer’s market where there’s a guacamole stand. I ask them if they’re willing to part with their avocado parts and go into the garbage where they’ve disposed of them to retrieve the avocado peels that create a deeper pink dye. It also makes the process more community-centered because most people I talk to haven’t heard of avocado dyeing and are surprised to hear it turns clothes an earthy pink, hence why I named the line New Earth. I want to remain aware of my environmental impact by recycling, thrifting, and using donations as much as possible. 

Beginning in February, the first born collection will be stocked at the flagship store of a sustainable brand called Lobo Mau Clothing in Philadelphia, and I’ll be running the flagship social media while simultaneously learning the technical aspects of fashion from the brand’s designer, Nicole. Definitely a “god wink” and a brick in what I’m working to build. 

What recommendations would you make to people who are interested in exploring other parts of themselves?  

Just start. Experiment. What held me back is the ideal of perfectionism — I’m a Virgo with an Aquarius moon. I thought that in order to work on my creative projects, I needed a certain amount of time or that once I could get past this one hurdle then I could focus on creating. I put so many limitations on myself and I just got sick of my own shit. So now, if I have five minutes, I’ll try to do something. Creativity has no limits. It’s how you express yourself.   

Take time for yourself and be intentional about it. If you have a packed schedule, you can’t do what you need to do. This weekend I’m not leaving the house. I schedule ”blackout weekends” to immerse myself in what I’m exploring. 

Also, lean into being in community with new people. I’ve been exposed to an entirely different and supportive community that’s so different from those I interact with in schools, which I’ve been in for 10 years. It keeps life interesting. You have to find the right people that are going to nurture the best in you, inspire you, and expose you to new realms. 

There are so many trends and phases in fashion. It can be a tough space for maintaining or asserting your sense of self. As you think about placing yourself more squarely in the fashion industry, how do you think about preserving your unique style and perspective?

Beyoncé inspired this notion for me that ownership matters. You hear about people who get their intellectual property stolen on the internet all the time, so in this day and age, that’s one way I’m going to preserve my perspective. I prefer to present things that are at a finished stage as opposed to telling people “I’m about to do this thing” which can feel very performative and “for others”. I’m working on getting some things trademarked, considering my branding strategy and how I can put my stamp on the things that mean the most.

This isn’t a question I’ve ever considered before, mainly because I’m always striving to be more me and I think placing myself more squarely in creative environments will spur new evolutions of my style and perspective. Visual expression is a big part of who I am and I’m additionally mindful of the brief time we as spirits get to have this human experience, so I’m trying to spend every moment developing my style and perspective in the most authentic way I can. This can all go away tomorrow, plus if I die that’s my ghost outfit forever. (laughs) To me, being creative is about being fully engaged in life and in the present. 

Your career has encompassed very different professional spheres. In retrospect, can you identify any continuous threads in how you’ve approached your work throughout?

Doing my best, resisting boxes, and labels, continuously improving, and being present are definitely continuous threads in how I’ve approached the work. 

You know I’m a huge fan of yours because you just show up in such a bold way wherever you go. Can you think of a moment when you started to leaning away from convention? 

Whew, I can’t think of a moment in particular. More like an era. Definitely after I was completely independent from my parents, I think around my fourth year of teaching. I’d previously worked at a school where we as staff had to wear uniforms. I was definitely a habitual line stepper when it came to those constraints. I transitioned to working at an African-centered school where, thankfully, I could wear what I wanted and that’s definitely when I started leaning away from convention. I was surrounded by beautiful  Black educators on a daily basis in amazing prints, the children wore brightly colored dashikis as uniform shirts, unlike that drab eurocentric navy blue one at the previous school. I’m Ghanaian on my dad’s side and had a lot of pieces from my last visit in 2011 that I never really got to wear because of the oppressive uniform requirements, so at this new job I began to really let loose and experiment with style. I never really looked back since then. 

And finally, what do you think makes you uniquely suited to do what you do?  

This question is a banger, fyi. Reminds me of the question Oprah ends all of her podcasts with: ”What do you know for sure?” What makes me uniquely suited to do what I do is one, God has a purpose for my life. Two, the way I see the world is unlike anyone else. And three, attention to detail.


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January 23, 2020 /Pier Duncan
Fashion, Education, Creative

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